![]() ![]() That same year a few Rhode Island School of Design graduates got together and formed a group called Emergency Broadcast Network. Oswald later gave a name to this bizarre new art form: “ plunderphonics.” Avant-garde sound collagists Negativland started weaving together radio recordings in the early ’80s, eventually incurring the legal wrath of disc jockey Casey Kasem and the band U2’s record label, Island Records, in 1991. Remix artists have been sampling media broadcasts since at least 1956, when Bill Buchanan and Dickie Goodman decided to mash up a bunch of contemporary hits with a radio report of an alien invasion for “ The Flying Saucer.” In 1975, the experimental composer John Oswald combined Led Zeppelin’s “Wanton Song” with the zealous ravings of a Southern Evangelist preacher. ![]() “The barrage of insane shit he spouts off in his broadcasts makes him extremely remixable,” producer NMESH told VICE News, who remixed Jones for his 3-part “ Globalist Suite”. ![]() It’s a sprawling sub-subgenre that we like to refer to as Infocore. He’s the subject of countless YouTube remix videos in which the producer pairs edited samples of his voice with music, generally of the homemade electronic variety, and then accompanies it with a commensurately outré video. Jones has also inspired a burgeoning underground of internet music and video remix art. ![]()
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